11.24.2009

Requiem for A Dream

4 comments


So, I firmly believe that every middle schooler should watch this movie and as a result the drug problem in America would be solved. No questions asked. I am never doing heroin because of seeing this movie. I am not going to use the word "disturbing" because

1) that's all you hear when you hear mention of this film, and
2) "disturbing" normally implies subject matter that you don't want to think about or that is completely taboo, whereas this is something that needs to be seen and thought about

This movie was provocative and dark, and although I liked Pi much better, I still found this one to be immensely captivating. The main gimmick and selling point of this film is the editing. It's cut in such a sharp, unique way that blocks together sounds with images that are completely unrelated and as a result creates a simple effect that's fucking phenomenal. An example of this is the food disappearing from a the mother's plate through stop motion anim with the sound effect of a plane in the background. Who the fuck thought to piece those together? It's totally not expected and unequivocally awesome.

In an interview with Darren Aronofsky, he referred to this film as being not a drug movie, but a movie about broken dreams. While I don't necessarily agree with that because every single character develops some kind of addiction, one of the things I love about this film is that it gets back to the root and inherent causes of the addictions. You can't mask an addiction to heroin by saying that once you leave, it will go away. Aronofsky paints a beautiful and dark picture of what happens when you hold onto your dreams so much that you lose all sense of what's really happening. At its heart, this movie is about denial of one's addictions. I love the scene in which the mother is dancing around the living room in front of the TV wearing her "stardom" dress. In my opinion, it's one of the most brilliantly cut scenes of all time because of how much we get sucked in to her own fucked up world through the visual effects, but Ellen Burstyn's acting takes us out of that world because we can observe her in a third party way.

My one criticism of this movie is the lack of resolution. I would say that that's typical Aronofsky, but Pi was totally resolved at the end, and so was the Wrestler. I just felt that a subject matter such as the one above should have a fucking conclusive ending, whether it be happy or sad.

I reviewed this because it was on the list for the November 1001 Movie Club Reviews, even though I just joined and therefore won't start until December. But I say fuck rules, so I'm posting it for you all to read. I'll be official some other time and it will be just peachy.

Peace!

The Movie Mistress

11.20.2009

Double Feature Friday- Memory, All Alone in the Moonlight...

2 comments
Thanksgiving is about remembering the past and getting drunk to deal with your crazy family in the present. However, because I was going to use next week's DFF to talk about Turkey Day (or, for some of us, Tofurkey Day), this week we'll do films that showcase the next best thing to sharing old stories and yelling at Crazy Aunt Frieda for letting her dog shit in your house once again: memories. There are tons of films that use them. I'm pretty sure that once editing became a respected art with legit funding, the first idea that came to the ACEr's wonderful little heads was the idea of the flashback. Are you ready? Let's go back in time...


La Vie En Rose

This movie is the queen of jumping around from memory to memory so that you have no clue where the fuck Edith Piaf is in her life and yet still you're enraptured. It took me three times of watching to put together which fragments of her life go where, but I still enjoy it as much as I did the very first time I saw it. I even have the soundtrack. It's awesome. I consider this a flashback movie because of the way it's structured, beginning toward the end of her life and ending with a montage of scenes throughout the movie. It's great because rather than watching a biopic about Edith Piaf, it's like we're watching a biopic through the mind of Edith Piaf. We're in her memories. If you haven't ever seen it, stop reading my fucking blog and rent it NOW.


Eternal Sunshine of the Spotless Mind

How could I do a double feature about memories and not include this movie? It fucking blew my mind the first time I saw it, and I still love it to death. There is no other movie that depicts the idea of a soul mate better. Okay, it might not be better than What Dreams May Come, but it comes close. It brings a whole new meaning to "be careful what you wish for"- we may want to forget our bad memories, but in reality our memories make us who we are, the good and the bad, and you may think you want to have a clean slate and start anew but when you think about it, it's fucking terrifying. I love, love, love when the two main characters are running through memories trying to stay "alive" in his head. I also love that even after forgetting each other completely, Jim Carrey and Kate Winslet are still meant to be together. Now everybody sigh for happy endings. 1...2....3.....

Peace!

The Movie Mistress

11.18.2009

Funny Tom-Foolery

0 comments


Normally I'm skeptical of celebrity-inspired sketch comedy, but this guy does a pretty spot on Tom Cruise. It makes me wonder if Tom WOULD make a better, less creepy Edward. Plus, all the ridiculous costumes (which are just as ridiculous in the trailer) made me laugh. I did find the glasses distracting, but I guess it was to keep the theme of Risky Business. Either way, this video was still entertaining, mocking both pop culture and ridiculous acting choices.

Any Twilight/ Tom Cruise fans, feel free to defend yourselves.

Peace!

The Movie Mistress