9.06.2009
Sunshine Cleaning: Too Much Sunshine, Not Enough Cleaning.
My rating: 3 1/2 stars
I wanted to see this in the theatre, but didn't get a chance. Oh, well. Renting is just as tolerable, if not cheaper. Anyway, what I found in this little indie number was, well, a little indie number. It really didn't have anything surprising about it. In fact, it may as well be titled "The Little Indie That Tried to Go Hollywood." Part of the wonderful quality of independent film is the "anything goes" opportunity. People don't expect a Hollywood ending. Which is why I was a little bit disappointed in this film, because they had this brilliant and creative plot opportunity and made it conventional. You could tell who was going to learn what lesson, who would end up happy, blah blah blah. It's just that it was a bit boring after a while.
Don't get me wrong- I really enjoyed this feature. I thought it had some unusual laughs, and the plot was entertaining for the most part. I simply think they used too many cliches- the absent mother, father who's hung up on her death (after 30 years +), the older sister caring for the younger sister, using the crime-scene business to stir up memories of the mother's death (which happen frequently throughout the movie)... See what I mean? It seems to me that these are family issues that have been around in movies for years. Years. There are endless possibilities. Couldn't they have been more creative?
I also expected them to focus more on the business itself. There was a scene with a lot of blood, and there was a scene with a horrid stench, but... that was it. I expected more gruesomeness out of a movie where they clean crime scenes, for goodness' sake. I mean, write in a scene where the girls have to be creative at finding a way to clean. Write a scene with shit all over the ceiling. I know- you're already asking, "How would that get there....?" That's what would make the survival of their business believable. We see in the movie their advertisements and referrals, and reviews of how good a job they're performing, but we hardly ever see them do the job. Call me sadistic, but I wanted more blood out of a movie focusing on crime.
Overall, I would say this is a pretty good movie that I would have liked better if I hadn't known what it was about beforehand or if I hadn't seen the trailer. Here I was, all excited that finally some indie feature has a story that no one has done before... oh wait, never mind. If I could go back and watch this without having read or heard anything about it, I would. Because then, I wouldn't have been let down. Go see for yourself. You'll know exactly what I'm talking about.
Peace!
The Movie Mistress
Posted by
Rachel
9.05.2009
Layout Changes!
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While you're waiting, enjoy the trailer for Cold Souls, which is out now and looks fucking fantastic...
Posted by
Rachel
9.04.2009
Double Feature Friday- 1969
at
10:52 PM
0
comments
Tags
1969,
bob and carol and ted and alice,
butch cassidy and the sundance kid,
Double Feature Friday,
paul newman,
taking woodstock
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Bob and Carol and Ted and Alice
Here is a movie that I truly believe to be lost on my generation. It is a quiet satire that was perfect for when it debuted, but today would not go over well (but how do we know that our views and opinions on such matters aren't because of this movie?). Anyway, it makes me really sad that I've brought up this film dozens of times, and not once have I gotten the response of "Oh, I've seen that!" It's always "I've never heard of that."
I think that this is a film that needs to be watched, period. Its awkward silences and un-glorification of sex are nice refresher from steamy love-filled sex scenes we encounter so much today. It creates an actual realistic picture of sex, something that NEVER EVER HAPPENS. From the hilarious group retreat in the beginning to Bob making Carol's tennis partner breakfast after walking in on them having sex, to the uncomfortable ending orgy, this film is a riot (in a strange, shift-in-your-seat way). It was meant to make people uncomfortable by mocking something that a majority of the world found ridiculous. I just think that somewhere along the way it lost its flavor, and deserves to be watched by later generations the same way that The Graduate (another film of its "flavor" made two years earlier) is.
Butch Cassidy and the Sundance Kid
One of the greatest critiques on the fall of the classic "Western," this movie was popular at its release and remains popular today. There is no other word to describe it except "brilliant." The only criticism I have is that the industry, do to the film's mild nature in comparison to today's features, has pegged it a "family film." Sure, its fast-paced, upbeat dialogue is funny- in fact, it's hilarious- but sort of goes over the head of people under the age of twelve. The first time I saw it, I was bored out of my mind and the irony was completely lost on me. I didn't understand any of the jokes. The only explanation I can come up with is that I saw it too young, and that is no one's fault because it was made before there were ratings (the system was introduced in '68 but was entirely voluntary and not widely regulated- it was all very touchy).
Still, once I watched it again I saw the connection between Paul Newman's famous line, "Well, we can't rob banks forever," and the decline of the classic Hollywood shoot-em-up Western, which is why at the end of the film the two most famous bank robbers are left with nowhere to go and nothing to do. They weren't just searching for another bank, they were searching for another story- and found themselves literally trapped.
... Like I said, fucking brilliant.
Posted by
Rachel
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